NIKOLAJ

KUNSTHAL

PROJECT TITLE NIKOLAJ KUNSTHAL
YEAR 2022
LOCATION COPENHAGEN, DENMARK
TYPOLOGY CAFÉ, BOUTIQUE, TICKET AND INFORMATION DESK
MATERIALS OAK, COPPER, STEEL, LIME PLASTER, TEXTILE
SIZE 122 M2
ROLE ALL RESPONSIBILITIES
CLIENT NIKOLAJ KUNSTHAL / COPENHAGEN MUNICIPALITY

A historic church in Copenhagen that now serves as the contemporary art space, Nikolaj Kunsthal, has been given a new public space in the form of a peaceful café.

Tasked with creating the new café and boutique, we embraced the challenge of balancing restoration with modern design. By uncovering and restoring original architectural details, while introducing contemporary materials and bespoke furniture, we created a space that honours its past while inviting vibrant new uses. The result is a harmonious blend of tradition and functionality, bringing fresh life to this historic landmark.

Minimalist bar interior with wooden stools, a wooden bar counter, and copper accents. The ceiling has dark beams, and there's a window in the background. Nikolaj Kunsthal
Single hanging light bulb from PSLab with black cord in dim interior setting.
Nikolaj Kunsthal
Minimalist cafe interior with wooden tables and maroon upholstered benches.
Nikolaj Kunsthal
Close-up of a wet copper surface with droplets.
Nikolaj Kunsthal

Engel Architects was commissioned to create a new café and boutique at Nikolaj Kunsthal, a church in Copenhagen that was built in 1912 but dates back to the early 1200s. The church has gone through many transformations over the centuries and was adopted as a contemporary art space by the municipality of Copenhagen in 1981. In 2022, Engel Architects was tasked with creating a lively and functional space that would complement the exhibition function of the former church.

The project involved a partial restoration and partial transformation, fusing historical techniques and respect for the existing architecture with contemporary elements. The grand door and window openings were reestablished, and the acrylic paint was stripped off the walls and replaced with breathable lime-based paint, respecting the original paint used in the past and prioritising the integrity of the building. Acoustic plaster was added in select areas to improve the acoustic environment, and the technical installations were completely redone, tidying up decades of ad-hoc electrical wiring, piping, and decorating. New water and sewage installations made way for a café and kitchen, inviting new uses for the space.

Architectural section of a room with arched doorways and furniture placement.
Nikolaj Kunsthal
Wooden shelves with sunlight casting shadows. Nikolaj Kunsthal
Minimalist cafe interior with wooden furniture, bar stools, a long counter, tables, and benches, featuring dark beams and a geometrical pendant light. Nikolaj Kunsthal
Close-up of a wooden tabletop with a dark wooden inlay corner detail. Nikolaj Kunsthal
A wooden storage unit with movable shelves. Nikolaj Kunsthal
Close-up of a wooden corner with a textured red edge under sunlight. Nikolaj Kunsthal

The bar area features raw copper sheeting as a backsplash, which references the copper roofing material of the church and will patinate beautifully over time. A long bar serves as the café centrepiece and ticket counter, and seating arrangements are fitted to the niches of the space to provide an intimate and convivial atmosphere.

In collaboration with PSLab Antwerp, Engel Architects also designed a lighting scheme that references traditional church iron fittings and provides warm, welcoming lighting. Spotlights were delicately integrated into the ceiling and walls to complement the architecture and add technical lighting with a higher level of control over the atmosphere. Sculptural omnidirectional speakers were also installed to enhance the ambiance.

In addition to honing the spatial parameters of the project, Engel Architects designed all of the furnishings bespoke for the project in solid oak wood, reminiscent of the classic church benches and oak cabinetry found throughout the building. Most of the furniture was constructed with visible joinery techniques in fumed oak, highlighting their tectonics. The chairs and benches are fitted with cushions upholstered in fabric by Kvadrat Raf Simons, which references the historic burgundy red colours used throughout the church.

Brick alley with a neon green arrow sign pointing downwards, surrounded by arched windows and cobblestone ground, with some fallen leaves scattered. Nikolaj Kunsthal
Green neon light on brick wall. Nikolaj Kunsthal
Architectural plan drawing. Nikolaj Kunsthal
Black background with a bright green arrow pointing downward. Nikolaj Kunsthal